Tuesday, March 3, 2026
Art 1A Artist Talk Featuring KeyShawn Scott on Wednesday, March 11
Friday, November 21, 2025
Art 1A Artist Talk Featuring Maiza Hixson on Wednesday, November 26, 2025
About the Dr. Maiza Hixson:
The Art of New Media Theatre: Staging Site-Specific Performances from the White Cube to the Black Box and Beyond.
Multimodal artist, painter, performance scholar, curator, and theatre director Dr. Maiza Hixson will present on contemporary art as a transdisciplinary aesthetic practice that merges the visual and performing arts.
Hixson holds a PhD in Theatre, Dance, and Performance Studies from the University of California, Santa Barbara. She served as Chief Curator of the Delaware Center for the Contemporary Arts from 2010-2015, during which time she taught, performed, and lectured at Towson University in Baltimore and the University of the Arts in Philadelphia. She studied Art History, Theory, and Criticism at the School of the Art Institute of Chicago and holds an MFA in Fine Art from UC Santa Barbara, as well as an MA in Critical and Curatorial Studies, and BA in French from the University of Louisville. She was a recent grant panelist for the National Endowment for the Arts, and her curatorial work was featured on the Emmy Award-winning PBS TV show Articulate with Jim Cotter. She was a Warhol Foundation grant recipient for Radical Participation: A Series of Four Interactive Exhibitions. Hixson also designed and curated a 5,500 square-foot group exhibition, American Idyll: Contemporary Art and Karaoke, featuring Candice Breitz, Phil Collins, and Christian Jankowski, for the Cincinnati Contemporary Arts Center, designed by Zaha Hadid.
Hixson has exhibited and performed nationally and internationally at venues such as Eisenwunderwelt in Berlin; Little Tokyo Arts Complex in Los Angeles; the Art, Design, and Architecture Museum in Santa Barbara; Highways in Santa Monica; Brooklyn Museum of Art in New York; Baltimore Contemporary; Soap Factory, Minneapolis; Portland Institute for Contemporary Art in Portland, Oregon; Southeastern Center for Contemporary Art in Winston-Salem, NC; Haverford College; and many others. She is a member of the American Society for Theatre Research (ASTR), Independent Curators International (ICI), Performance Studies International (PSi), and a Lead Jury Member of Art Papers for the ACM/SIGGRAPH Vancouver 2025 Conference. SIGGRAPH stands for the Special Interest Group on Computer Graphics and Interactive Techniques, a special interest group within the Association for Computing Machinery (ACM) focused on computer graphics and interactive techniques.
Saturday, May 24, 2025
Lyra Purugganan Art 1A Artist Talk on Monday, June 2 from 12:30-1:45
lyra purugganan (they/she) is an interdisciplinary artist born in Manila, Philippines and raised in Columbus, Ohio. They received a BFA in printmaking from The Ohio State University in 2021 and a MFA at UC Santa Barbara in 2024. lyra is based in Southern California and Central Ohio, and was named the UCSB College of Creative Studies 2024-2025 Teaching Fellow.
Influenced by craft and materials, queer culture, and the midwest DIY music scene, lyra explores selfhood and their intersecting identities, disrupting systems through the misuse and misplacement of materials.
As an emerging artist, lyra has exhibited at OSU Urban Arts Space, 934 Gallery in Columbus, Ohio, UCSB Architecture, Design, and Art Museum, and the Greater Los Angeles MFA Show at CSU Long Beach. Recently, lyra is a co-recipient of the Greater Columbus Arts Center artist project grants and has attended the Haystack Mountain School summer sessions.
Monday, December 2, 2024
Art 1A Artist Talk on Wednesday, December 4 Featuring Vivek Karthikeyan
Artist Bio:
Vivek (b. 1986, Abu Dhabi) is an interdisciplinary artist, writer and filmmaker of South Asian-Indian ethnicity working at the intersection of moving image, spoken word, sound, text, devised performance and digital art. Working predominantly in an experimental idiom that emphasizes contingency of process and a visceral subjective experience for the viewer, Vivek is interested in extending the moving image beyond the screen into an immersive, “expanded cinema” experience that incorporates the spatiality of newer forms like projection mapping, xR, 3D modeling and computational imagery. His work often deals with themes such as the ambiguities of the creative process, the predicament of subjectivity in the digital age, technological dystopia, urban alienation and angst (thanks in no small part to years of living a double life as artist and tech worker.)
Vivek trained in cinematography at the prestigious Mindscreen Film Institute in Chennai, India and has worked on several independent films screened at venues including International Film Festival of Rotterdam, Scary Cow Film Festival in San Francisco, and Mono X Festival in New York, among others. Born and raised as an Indian diasporic kid in the Middle East before moving to the US as a young adult, he feels both at home and forever in exile everywhere he goes.
Wednesday, November 27, 2024
Art 1A Artist Talk on Monday, December 2 Featuring Autumn Nicole
Friday, July 19, 2024
Art 1A Artist Talk Featuring Autumn Nicole on Tuesday, July 30
Friday, May 31, 2024
Art 1A Artist Talk Featuring Autumn Nicole on Wednesday, June 5
Thursday, May 30, 2024
Art 1A Artist Talk Featuring Yumiko Glover on Monday, June 3
Wednesday, May 22, 2024
Art 1A Artist Talk Featuring Lyra Purugganan on Wednesday, May 29
Sunday, May 19, 2024
Art 1A Artist Talk Featuring Megan Koth on Wednesday, May 22
Megan Koth is an artist currently based in Ventura, California. She received her Master of Fine Arts from the University of California, Santa Barbara in 2020, in the midst of the coronavirus pandemic. She currently works as the graduate program manager and as a lecturer in the UCSB Department of Art. Her work resides in private collections throughout the United States, and has appeared in Voyage-Phoenix, Lum Artzine, LA Weekly, Hyperallergic, and the Phoenix New Times.
Through a queer, feminist lens, Koth addresses the often fraught relationship that can exist between the topography and interiority of the body. Viral internet imagery, contemporary makeup trends, and the traditions of painting and self-portraiture converge to address themes of body horror, obsessive self-evaluation and maintenance, as well as the liminal space of self-care. Drawing from her own experiences with chronic illness and medical trauma, Koth interrogates how personal grooming in the form of skincare and beauty rituals can be a crucial exterior reaction to interior anxieties towards exerting, and sometimes losing, control over one’s body and health.
Saturday, March 9, 2024
Art 1A Artist Talk Featuring Dannah Hidalgo
Thursday, February 29, 2024
Art 1A Artist Talk Featuring Kate Saubestre
Art 1A Artist Talk Featuring Tom Pazderka
Tom Pazderka is a Czech American painter, installation artist, writer, and curator. His work interrogates ideology, nostalgia, loss, and belonging using a black-and-white palette of ash and oil. Pazderka’s solo exhibitions include Gallery 825 (Los Angeles, CA), Bender Gallery (Asheville, NC), Silo118 (Santa Barbara, CA) and The Basic Premise (Ojai, CA) with group exhibitions at Santa Monica Art Museum, Wallis Annenberg Center for the Performing Arts in Beverly Hills, Bardo Fine and Performing Arts Center in Cullowhee, NC, Sullivan Goss Gallery in Santa Barbara, Beatrice Wood Center for the Arts in Ojai and the Santa Barbara Center for Art Science and Technology
As Curator for the Santa Barbara County Office of Arts and Culture, Tom engages the county community and artists to produce and exhibit art in public spaces and galleries. Prior to serving as County Office of Arts and Culture Curator, he served as our Lead Preparator and Exhibitions Designer since 2017. He also held significant roles with the UCSB Art, Design and Architecture Museum, Santa Barbara Museum of Art, and Museum of Contemporary Art Santa Barbara.
His artwork has been reviewed and published in LA Weekly, New American Paintings, Dark Mountain, Santa Barbara Literary Journal and Daily Serving, among others. His writing has been featured in The Philosophical Salon, Sublation Magazine, and 3:AM Magazine. He is the founding contributor and continues to write for LUM Art Magazine.
Tom earned his B.F.A. from Western Carolina University and his M.F.A. from UCSB.
Artist Statement:
In 2016 I began photographing and collecting ash of local California wildfires. Combining ash with white oil paint on wood panels that I charred with torches, I painted the pyrocumulous ash clouds produced by the fires. Applied in thin layers, systematically, over long periods of time, the images emerge out of the ashy abyss.
Following the fire ‘portraits,’ I began to paint old family photos, coinciding with my mother’s return to the Czech Republic to care for her aging parents. A quarter of a century of her life in America disappeared. Somewhere.
Building these images in ash became an investigation - into my family, belonging, memory, nostalgia, politics, oppression, grief, exile, exclusion, failure, the uncanny, and the sublime – and of painting itself, because it is painting that saved my life many times over in the past. Painting is where I am ‘at home.’
Web: www.tompazderka.com
Substack: tompazderka.substack.com
Instagram: @Tompazderka
Twitter/X: @PazderkaTom
Thursday, December 7, 2023
Artist Talk Featuring Mariana Rodela on December 7
Artist Bio:
My practice explores the use of play as a subversive entity against late stage capitalism. I want to encourage my viewers to reconsider their relationship to play and hopefully dispel the notion that we should be productive at all times. I hope to encourage my viewer to not scrutinize rest and “nothingness” but instead see them as a form of resistance. I’m interested in replacing the constant feeling of alienation in a capitalist society with community through my work. I do this through dematerialized forms of art making such as social practice and soft performance. By avoiding commodification I can subsequently create an emphasis on the viewers. Currently, I’m exploring the connection between soccer and art. I’m examining the wealth, spectacle, community, labor, the body, and other social issues surrounding soccer and Harder Stadium.
Tuesday, November 21, 2023
Artist Talk Featuring Maja Skjoth Hegelund on Thursday, November 30
Artist Bio:
Maja Skjøth Hegelund is a Danish artist working with video, sound, and installation. Her work has been screened worldwide, including the Short Waves Festival (Pl), Museum of Contemporary Art Santa Barbara, Frankfurt short film festival (Ger), Video park (Srb), and the Copenhagen short film festival (Dk). Maja Holds an MA in Visual Culture from the Royal Danish Academy and an MFA in Art from University of California, Santa Barbara.
Artist Statement:
I am a Danish artist working with video, performance, sound, and installation. My work introduces a temporary sentiment of bewildering purpose and poignant confusion. I am drawn to mystery and asking questions rather than answering them. The mild angst of not knowing but wondering carries over in my finished work, which is often described as humorous and uncanny. My process is experimental rather than highly structured, which enables me to discover moments and scenarios that immediately excite me. With the introduction of seemingly human characters, I question whether the living can be inanimate and objects can be alive and how they all (dis)engage in liminal dream-like spaces.
Artist Talk Featuring Katie Parker and eka.gren on Tuesday, November 28
Artist Bio:
eka.gren is the collective pseudonym for work created in collaboration between three sisters: Emily, a welder and auto mechanic in rural Missouri; Katherine, an artist and educator in Southern California; and Anna, a doctoral candidate in Epidemiology at the University of California- Berkeley. eka.gren was created in early 2022 as a persona that could be implemented to present an opaque, singular authorship while still remaining representative of the collaborative influence of the 3 authors. The sisters’ work under eka.gren comes from both their individual and collective perspectives from an upbringing surrounded almost exclusively by a large community of female relatives in the rural midwest, as well as complicated histories relating to queerness, religion, and care. This perspective is also representative of their current passions and pursuits in our relative fields- the mechanical, the artistic, and the biological. Much of the idea behind eka.gren is a love letter between the individual and the collective experience as well as the intentional concealment of the individual into the collective as a form of fuzzy protection to transfer disgust, peek below the visible, and to ultimately eat with those you trust and swallow those you love.Friday, May 26, 2023
Art 1A Artist Talk Featuring Lyra Purugganan on Monday, June 5
Wednesday, May 24, 2023
Art 1A Artist Talk Featuring Megan Koth on Wednesday, May 24
Megan Koth is an artist currently based in Ventura, California. She received her Master of Fine Arts from the University of California, Santa Barbara in 2020, in the midst of the coronavirus pandemic. She currently works as the graduate program manager and as a lecturer in the UCSB Department of Art. Her work resides in private collections throughout the United States, and has appeared in Voyage-Phoenix, Lum Artzine, LA Weekly, Hyperallergic, and the Phoenix New Times.
Through a queer, feminist lens, Koth addresses the often fraught relationship that can exist between the topography and interiority of the body. Viral internet imagery, contemporary makeup trends, and the traditions of painting and self-portraiture converge to address themes of body horror, obsessive self-evaluation and maintenance, as well as the liminal space of self-care. Drawing from her own experiences with chronic illness and medical trauma, Koth interrogates how personal grooming in the form of skincare and beauty rituals can be a crucial exterior reaction to interior anxieties towards exerting, and sometimes losing, control over one’s body and health.
Tuesday, March 14, 2023
Art 1A Artist Talk Featuring Matthew Johnson on Wednesday, March 15
Artist Bio:
Matthew Robert Johnson (b. 1977) is a Los Angeles based artist. He holds a BFA in Printmaking from California State University, Long Beach, and is currently an MFA candidate at the University of California, Santa Barbara.
He is a multidisciplinary artist working in sound, painting, printmaking, sculpture, and video. His practice involves process-based investigations into form, abstraction, and repetitive imagery, strongly influenced by his upbringing in the codified world of the military family, and his later long-term association with Noise music.
Johnson is a Chancellor’s Fellow at UC Santa Barbara, and received the Margaret Bedell Endowed Scholarship at CSU Long Beach. He has performed at The Hammer Museum, Human Resources, and 356 Mission, and exhibited at The Meow LA, O.N.O. Gallery, CSULB, and UCSB.
Tuesday, November 22, 2022
Art 1A Artist Talk Featuring Adam Jahnke on Tuesday, November 29
Artist Statement:
Through a reimagining of my bicycle experience within Southern California I have become interested in creating artworks that reflect and promote the bicycle as an avatar for art and life. In addition the bicycle also serves as a necessary utility within an ideological framework that challenges car centric assumptions within urban and suburban settings.
This experience and framework is what I refer to as the Department Of Applied Geography (DOAG) - a broader project that understands what I create as a response to research about the historical and spiritual implications of natural and man made landscapes in Southern California.
Within this exhibition DOAG provides the opportunity to explore the bicycle as I see it - a life art practice. The bicycle, its components and its maintenance provides a low cost opportunity for myself to meditate through tinkering as well as explore repair as a radical act of autonomy. DOAG further understands that experience between the human and their bicycle as meditative and a methodology for individual liberation.
I possess both an avocational and professional relationship to the bicycle. As a result I often find ideas for my creations through knowledge acquired from the kinetic joy provided through trial and error.
Antithetical to most of Southern California and the vast majority of the United States, the city of Santa Barbara California is somewhat of a cycling mecca. Not so much for cycling infrastructure but for the various people, terrains and neighborhoods that have forged cycling alliances, groups, gatherings and history.



















