Chiura Obata, Grand Canyon, May 15, 1940, Watercolor on silk, 17 1⁄2 x 21 3⁄4 in. Amber and Richard Sakai Collection
Your first research paper, which is due on Thursday, February 8 in lecture, is about Chiura Obata's work. The AD&A Museum at UC Santa Barbara has an exhibition featuring this artist, and it is currently on view.
According to AD&A Museum,
Chiura Obata (1885–1975) was one of the most significant Japanese American artists working on the West Coast in the last century. Born in Okayama, Japan, Obata emigrated to the United States in 1903 and embarked on a seven-decade career that saw the enactment of anti-immigration laws and the mass incarceration of Japanese Americans during World War II. But Obata emerged as a leading figure in the Northern California artistic communities, serving not only as an influential art professor at UC Berkeley for nearly twenty years, but also as a founding director of art schools in the internment camps.
This exhibition presents an unprecedented survey of Obata’s rich and varied body of work that includes over 150 superb paintings and personal effects, many of which have never been on public display. With a prodigious and expansive oeuvre, Obata’s seemingly effortless mastery of, and productive engagement with, diverse techniques, styles, and traditions defy the dichotomous categorizations of American/European and Japanese/Asian art. His faith in the power of art, his devotion to preserving the myriad grandeur of what he called “Great Nature,” and his compelling personal story as an immigrant and an American are all as relevant to our contemporary moment as ever.
The University of California Press is publishing the exhibition catalogue that showcases more than 100 beautiful images and a selection of Obata’s writings, as well as a rare 1965 interview with the artist. The scholarly essays by ShiPu Wang, curator of this exhibition and a UCSB alumnus, and the other contributors illuminate the intense and productive cross-cultural negotiations that Obata’s life and work exemplify, in the context of both American modernism and the early twentieth-century U.S. racio-ethnic relations—a still-understudied area in American art historical scholarship.
This exhibition and catalogue is made possible through support from the Terra Foundation for American Art. The catalog can be found here: Chiura Obata An American Modern Catalogue.
Exhibition dates:
Art, Design and Architecture Museum, UC Santa Barbara: January 13–April 29, 2018
Utah Museum of Fine Arts, Salt Lake City: May 25–September 2, 2018
Okayama Prefectural Museum of Art, Okayama, Japan: January 18–March 10, 2019
Crocker Art Museum, Sacramento: June 23–September 29, 2019
